Gregory Miller

  • En tant que peintre, sculpteur et graveur, Frank Stella (né en 1936) a toujours accordé une grande attention aux lignes et aux motifs géométriques dans son travail, créant des pièces kaléidoscopiques dans leur forme et leur contenu avec des lignes audacieuses et des toiles auxquelles il donne des formes. Ce catalogue, publié pour son exposition 2020 au Aldrich Contemporary Art Museum dans le Connecticut se concentre en particulier sur l'utilisation durable des formes d'étoiles dans l'oeuvre de Frank Stella.

  • Cette anthologie rassemble des écrits par et sur les artistes noirs américains, de 1960 à 1980. Conçu comme un "reader" connecté à l'exposition phare Soul of a Nation: Art in the Age of Black Power, qui a mis en lumière les contributions essentielles des artistes noirs sur deux décennies, ce recueil rassemble plus de 150 textes d'artistes, critiques, conservateurs et autres qui ont cherché à façonner et à définir l'art de leur temps.

  • Au-delà de son travail artistique, et particulièrement ces dernières années, Gehrard Richter a publié de nombreux ouvrages sur sa vision de l'art et de ses valeurs : lettres, interviews, déclarations publiques, extraits et articles, l'artiste s'est imposé comme un défenseur de la peinture contemporaine. Il a également exploré les potentiels du livre en tant que médium dans une série de livres d'artistes extraordinaires. Gerhard Richter Books examine en profondeur son travail dans ce média.

  • Ce livre se concentre sur les premiers travaux exceptionnels de Castle sur le bois et la fibre de verre, qui ont transformé la façon dont nous considérons les meubles et leur fabrication. Ces oeuvres très originales ont influencé des générations de fabricants de meubles, de designers, d'artistes, de sculpteurs, de collectionneurs et de passionnés de design.

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  • Anglais Timekeeper

    Sarah Sze

    For over 20 years Sarah Sze (born 1969) has produced celebrated works of art, synthesizing a near boundless range of everyday materials into intricate constructions that are both delicate and overwhelming. Sze's latest site-specific installation at the Rose Art Museum, Timekeeper, combines sculpture, video and installation into a sprawling experiential work that approaches some of the most complex themes of her career: time's passage and its marking in mechanical and biological forms.

    The Timekeeper installation was a catalyst for a book which explores major new ideas in Sze's work and practice. The ambitious work is extensively documented here alongside significant new texts on Sze, her work and the experience of time.

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  • Anglais Triple point

    Sarah Sze

    Sarah Sze (born 1969) has earned deserved acclaim since the late 1990s for her intricate assemblages of everyday consumer products, painstakingly arranged by hand into immense, site-specific installations that engage the viewer in a dizzying play of perspective and scale. Often every crevice of an architectural space is utilized in her complex constructions, composed of thousands of objects, works that converge at the intersection of drawing, sculpture and architecture. Sarah Sze: Triple Point is a major new publication on the work of this celebrated artist, documenting Sze's ambitious, large-scale exhibition at the U.S. Pavilion of the 2013 Venice Biennale, with 64 pages of full-color plates and several significant new texts on Sze and her practice. Included is a conversation between the artist and Pulitzer Prize winning author Jennifer Egan, along with a short story by Egan entitled «Black Box.» Curator and scholar Johanna Burton contributes a compelling new examination of Sze's practice, and 2013 Biennale Co-Commissioners Holly Block and Carey Lovelace provide an introduction to the project and artist. Elegantly realized by award-winning designer Takaaki Matsumoto, Sarah Sze: Triple Point is certain to be a lasting testament to the continued development of this exciting and original artist.

  • Anglais Mika rottenberg

  • Au cours des dix dernières années, la pratique de la peintre Lesley Vance (née en 1977), de Los Angeles, est passée de ses oeuvres primées aux natures mortes aux compositions abstraites colorées et gestuelles. Les peintures à l'huile et les aquarelles de Vance depuis 2013 sont rassemblées dans cette monographie superbement illustrée.

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  • AFRICOBRA (African Commune of Bad Relevant Artists) a été fondée dans le sud de Chicago en 1968 par un collectif de jeunes artistes noirs avec des caractéristiques esthétiques fortes : des couleurs vives, du texte en gras, de la brillance et des images positives des Noirs, propres à la vie quotidienne de la communauté dont ce mouvement est issu. Cette enquête représente la première évaluation majeure du travail d'AFRICOBRA en Europe et s'appuie sur l'exposition "AFRICOBRA: Messages to the People", inaugurée au MOCA North Miami pendant Art Basel Miami 2018.

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  • Anglais Alice mackler

    Mackler Alice

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  • Anglais Jay heikes

    Heikes Jay

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  • Anglais The volume

    Luis Camnitzer

    From the dot to the line to infinity: a whimsical children's book about space and spatiality, with colorful illustrations and a large gatefold that illuminates the story.

    One very dark night, a long time ago, there was a big explosion. It was the "Big Bang." From the "Big Bang," a dot flew off by itself and began to explore. But all around it was empty space. The dot became lonely, so it split in two, which was fun at first. But then the two dots grew bored of each other, so they began to multiply until they formed something entirely new: a line. The line replicated until it became a surface, and the surface repeated until it became a 3-dimensional shape: the volume. A stray line then pulled off the volume and began to explore shape, color and pattern to create the magic of writing and art.

    This whimsical adventure--filled with imaginative text, mind-expanding illustrations and with an impressive double gatefold "to infinity"--takes readers of all ages on a journey through concepts that are the foundation of both art and life.

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  • Mark Bradford's exhibition for the US Pavilion at the 2017 Venice Biennale, titled Tomorrow Is Another Day, is born out of the artist's longtime commitment to the inherently social nature of the material world.

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  • Key works from the 50-year career of the great Dansaekhwa abstractionist.

    One of the early members of the Dansaekhwa art movement, Suh Seung-Won (born 1941) set the foundations for modernism in Korea. For over 50 years, Seung-Won's delicate monochrome paintings have explored the concept of simultaneity, using geometric patterns to delineate his aesthetic understanding of time and space.

    This lavishly illustrated monograph collects selected works from throughout the artist's career, presented here alongside historical photographs from the artist's life and earliest exhibitions. Major new texts from critic Barry Schwabsky and art historian Sohl Lee track the development of Suh's revolutionary aesthetic since the 1960s and its parallels in the development of the artworld and Korean culture during that time.

    Suh Seung-Won is an essential look at one of the most vital artists of Korea's modernist movement and the subtly powerful monochrome abstractions that have defined his legacy.

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