Five-year old Matilda longs for her parents to be good and loving and understanding, but they are none of these things. They are perfectly horrid to her. Matilda invents a game of punishing them each time they treat her badly and she soon discovers she has supernatural powers.
At 14, Turtle Alveston knows the use of every gun on her wall. She knows how to snare a rabbit, sharpen a blade and splint a bone. She knows that her daddy loves her more than anything else in this world and he'll do whatever it takes to keep her with him.
But she doesn't know why she feels so different from the other girls at school; why the line between love and pain can be so hard to see. Or why making a friend may be the bravest and most terrifying thing she has ever done.
Sometimes the people you're supposed to trust are the ones who do most harm. And what you've been taught to fear is the very thing that will save you This book has challenged me like no other. It's a masterpiece. A work of art on a page. I guarantee this book will take your breath away' Joanna Cannon, author of The Trouble with Goats and Sheep Brutal yet beautiful, My Absolute Darling has floored me. Dear Turtle, a heroine amidst the horror. Exceptional, unflinching storytelling' Ali Land , author of Good Me Bad Me An incandescent novel with an extraordinary, unforgettable heroine, both deeply contemplative and utterly thrilling' Observer Thriller of the month There are echoes of Ma's bravery in Emma Donoghue's Room, or the resilience of Cormac McCarthy's protagonists as they struggle to stay alive. Tallent's world is shocking in the truest sense of the word' Irish Times An utterly fantastic read. Every page is brimming with energy. And Turtle Alveston is as enthralling a character as I've encountered in a good long while' Kevin Powers, author of The Yellow Birds
An elating read'' Sunday Timesbr>br>A producer. A novelist. An actress.br>br>It is summer in 1968, the year of the assassinations of Martin Luther King and Robert Kennedy. There are riots in Paris and the Vietnam War is out of control. While the world is reeling our three characters are involved in making a Swingin'' Sixties movie in sunny Brighton. br>br>All are leading secret lives. Elfrida is drowning her writer''s block in vodka; Talbot, coping with the daily dysfunction of making a film, is hiding something in a secret apartment; and the glamorous Anny is wondering why the CIA is suddenly so interested in her.br>br>But the show must go on and, as it does, the trio''s private worlds begin to take over their public ones. Pressures build inexorably - someone''s going to crack. Or maybe they all will.br>br>From one of Britain''s best loved writers comes an exhilarating, tender novel that asks the vital questions: what makes life worth living? And what do you do if you find it isn''t?br>_______________________________________________br>br>PRAISE FOR WILLIAM BOYDbr>br>''The ultimate in immersive fiction . . . magnificent'' Sunday Timesbr>br>''A finely judged performance: a deft and resonant alchemy of fact and fiction, of literary myth and imagination'' Guardian on Love is Blindbr>br>''William Boyd has probably written more classic books than any of his contemporaries'' Daily Telegraphbr>br>''Simply the best realistic storyteller of his generation'' Sebastian Faulks>
Twelve-year-old villain, Artemis Fowl, is the most ingenious criminal mastermind in history. His bold and daring plan is to hold a leprechaun to ransom. But he's taking on more than he bargained for when he kidnaps Captain Holly Short of the LEPrecon (Lower Elements Police Reconnaissance Unit). For a start, leprechaun technology is more advanced than our own. Add to that the fact that Holly is a true heroine and that her senior officer Commander Root will stop at nothing to get her back and you've got the mother of all sieges brewing!
THE NUMBER ONE SUNDAY TIMES BESTSELLER WINNER OF THE COSTA NOVEL AWARD 2018 WINNER OF THE AN POST IRISH BOOK AWARDS NOVEL OF THE YEAR WINNER OF THE SPECSAVERS NATIONAL BOOK AWARDS INTERNATIONAL AUTHOR OF THE YEAR SHORTLISTED FOR THE IRISH NOVEL OF THE YEAR AWARD 2019 LONGLISTED FOR THE MAN BOOKER PRIZE 2018 LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2019 LONGLISTED FOR THE RATHBONES FOLIO PRIZE 2019 Connell and Marianne grow up in the same small town in the west of Ireland, but the similarities end there. In school, Connell is popular and well-liked, while Marianne is a loner. But when the two strike up a conversation - awkward but electrifying - something life-changing begins. Normal People is a story of mutual fascination, friendship and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find they can't.
Terrible, unspeakable things happened to Sethe at Sweet Home, the farm where she lived as a slave for many years until she escaped to Ohio. Her new life is full of hope but eighteen years later she is still not free. Sethe's new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.
The French Riviera: home to the Beautiful People. And none are more beautiful than Cecile, a precocious seventeen-year-old, and her father Raymond, a vivacious libertine. Charming, decadent and irresponsible, the golden-skinned duo are dedicated to a life of free love, fast cars and hedonistic pleasures.
The first ever collection of stories from the bestselling and beloved author of Swing Time and White Teeth 'Zadie Smith is the best writer of our generation' Gary Shteyngart 'Her dialogue is pitch-perfect, her comic timing masterful... [And] she also delivers a sophisticated commentary on race, gender, class, celebrity and power' Telegraph on Swing Time 'Smith is virtuosic, as ever, on family and friendship, and her ability to write about large-scale social injustice without losing her neutral novelist's gaze is breathtaking' Times Literary Supplement on Swing Time In the summer of 1959, an Antiguan immigrant in north west London lives the last day of his life, unknowingly caught in someone else's story of hate and division, resistance and revolt. A mother looks back on her early forays into matters of the human heart - and other parts of the human body - considering the ways in which desire is always an act of negotiation, destruction, and self-invention. A disgraced cop stands amid the broken shards of his life, unable to move forward into a future that holds no place for him. Moral panic spreads like contagion through the upper echelons of New York City - and the cancelled people look disconcertingly like the rest of us. A teenage scion of the technocratic elite chases spectres through a premium virtual reality, trailed by a little girl with a runny nose and no surviving family. We all take a much-needed break from this mess, on a package holiday where the pool's electric blue is ceaselessly replenished, while political and environmental collapse happen far away, to someone else. Interleaving ten completely new and unpublished stories with some of her best-loved pieces from the New Yorker and elsewhere, Zadie Smith presents a dizzyingly rich and varied collection of fiction. Moving exhilaratingly across genres and perspectives, from the historic to the vividly current to the slyly dystopian, Grand Union is a sharply alert and prescient collection about time and place, identity and rebirth, the persistent legacies that haunt our present selves and the uncanny futures that rush up to meet us.
On March 3, 1947 Archibald Isaac Ferguson is born. From that single beginning, his life will take four simultaneous and independent fictional paths. Four boys who are the same boy, will go on to lead four parallel and entirely different lives. Fergusons story rushes on across twentieth-century America. A sweeping story of birthright and possibility, of love and the fullness of life itself.
The new novel by the legendary Edna O'Brien, author of The Country Girls (dramatised on BBC Radio 4 in August 2019). Captured, abducted and married into Boko Haram, the narrator of this story witnesses and suffers the horrors of a community of men governed by a brutal code of violence. Barely more than a girl herself, she must soon learn how to survive as a woman with a child of her own. Just as the world around her seems entirely consumed by madness, bound for hell, she is offered an escape of sorts - but only into another landscape of trials and terrors amidst the unforgiving wilds of northeastern Nigeria, through the forest and beyond; a place where her traumas are met with the blinkered judgement of a society in denial. How do we love in a world that has lost its moorings? How can we comprehend the barbarism of our enemies, and learn forgiveness for atrocities committed in the name of ideology? Edna O'Brien's new novel pierces to the heart of these questions: and the result is her masterpiece.
It begins with a letter from a woman Frank has never met. A pleading letter. A letter that closed his throat. 'Come fast. She be dead if you tarry.' And that is it all it takes.
'Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of my tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.' Humbert Humbert is a middle-aged, frustrated college professor. In love with his landlady's twelve-year-old daughter Lolita, he'll do anything to possess her. Unable and unwilling to stop himself, he is prepared to commit any crime to get what he wants.
Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all of these?
Durante un tiempo no estuvo segura de si su marido era su marido. A veces creía que sí, a veces creía que no, y a veces decidía no creer nada y seguir viviendo su vida con él, o con aquel hombre semejante a él, mayor que él. Pero también ella se había hecho mayor por su cuenta, en su ausencia, era muy joven cuando se casó. Muy jóvenes se conocieron Berta Isla y Tomás Nevinson en Madrid, y muy pronta fue su determinación de pasar la vida juntos, sin sospechar que los aguardaba una convivencia intermitente y después una desaparición. Tomás, medio español y medio inglés, es un superdotado para las lenguas los acentos, y eso hace que, durante sus estudios en Oxford, la Corona ponga sus ojos en él.
SHORTLISTED FOR THE MAN BOOKER PRIZE 2017 WINNER OF A SOMERSET MAUGHAM AWARD 'A quiet explosion of a book, exquisite and unforgettable' The Economist 'A cleverly constructed rural Gothic fable . . . Elmet is a marvellous achievement' TLS 'Pastoral idyll, political expose, cosy family saga and horror tale, it reads like a traditional children's story that turns into a gangster film: Hansel and Gretel meets The Godfather' Sunday Times Daniel is heading north. He is looking for someone. The simplicity of his early life with Daddy and Cathy has turned menacing and fearful. They lived apart in the house that Daddy built for them in the woods with his bare hands. They foraged and hunted. Cathy was more like their father: fierce and full of simmering anger. Daniel was more like their mother: gentle and kind. Sometimes, their father disappeared, and would return with a rage in his eyes. But when he was at home, he was at peace. He told them that the little copse in Elmet was theirs alone. But that wasn't true. Local men, greedy and watchful, began to circle like vultures. All the while, the terrible violence in Daddy grew. Brutal and beautiful in equal measure, Elmet is a compelling portrayal of a family living on the fringes of contemporary society, as well as a gripping exploration of the disturbing actions people are capable of when pushed to their limits.
' Deacon King Kong is deeply felt, beautifully written and profoundly humane; McBride's ability to inhabit his characters' foibled, all-too-human interiority helps transform a fine book into a great one' The New York Times Book Review 'A hilarious, pitch-perfect comedy set in the Brooklyn projects of the late 1960s. This alone may qualify it as one of the year's best novels.' The Washington Post From the winner of a National Book Award and author of The Good Lord Bird , soon to be a TV series starring Ethan Hawke The year is 1969. In a housing project in south Brooklyn, a shambling old church deacon called Sportscoat shoots - for no apparent reason - the local drug-dealer who used to be part of the church's baseball team. The repercussions of that moment draw in the whole community, from Sportscoat's best friend - Hot Sausage - to the local Italian mobsters, the police (corrupt and otherwise), and the stalwart ladies of the Five Ends Baptist Church. DEACON KING KONG is a book about a community under threat, about the ways people pull together in an age when the old rules are being rewritten. It is very funny in places, and heartbreaking in others. From a prize-winning storyteller, this New York Times bestseller shows us that not all secrets are meant to be hidden, and that the communities we build are fragile but vital. ______________________ What Goodreads readers are saying: ***** ' Deacon King Kong is one of those novels whose brilliance sneaks up on you. I haven't been this pleasantly surprised by a book in a while.' ***** 'I do believe I just finished one of my all time favorite books. I loved every minute spent with Sportcoat and his community. A good old fashioned yarn shot through with truth, spirit, and humor. I LOVED it!' ***** 'This book was a balm for my soul, a portrait of a black church community circa 1969 with sweet characters (well, most of them), interconnections that stretch back decades, and a plot with more than one mystery at its heart.' ***** '"Deacon" has the texture of folk lore and fable mixed with the unexpected rhythms of jazz and the noisy streets of late 1960s Brooklyn.' ***** 'The ending was one of those where you clutch your heart and want to hug the book (or your Kindle).'
Forced by the sudden death of her father to act as paid companion to the comical - and tiresome - Mrs Van Hopper, our herione meets handsome widower Maxim de Winter on a trip to Monaco and accepts his sudden marriage proposal. But she is unprepared for the shadows cast by his past.