The Booker Prize-winning author of The Sense of an Ending takes us on a rich, witty tour of Belle Epoque Paris, via the life story of the pioneering surgeon Samuel Pozzi. **SHORTLISTED FOR THE DUFF COOPER PRIZE 2019** In the summer of 1885, three Frenchmen arrived in London for a few days'' shopping. One was a Prince, one was a Count, and the third was a commoner with an Italian name, who four years earlier had been the subject of one of John Singer Sargent''s greatest portraits. The commoner was Samuel Pozzi, society doctor, pioneer gynaecologist and free-thinker - a rational and scientific man with a famously complicated private life. Pozzi''s life played out against the backdrop of the Parisian Belle Epoque. The beautiful age of glamour and pleasure more often showed its ugly side: hysterical, narcissistic, decadent and violent, a time of rampant prejudice and blood-and-soil nativism, with more parallels to our own age than we might imagine. The Man in the Red Coat is at once a fresh and original portrait of the Belle Epoque - its heroes and villains, its writers, artists and thinkers - and a life of a man ahead of his time. Witty, surprising and deeply researched, the new book from Julian Barnes illuminates the fruitful and longstanding exchange of ideas between Britain and France, and makes a compelling case for keeping that exchange alive. ''An absolute tonic for grey winter days'' Evening Standard
First love has lifelong consequences. At nineteen, Paul is proud of the fact his relationship flies in the face of social convention. As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen. Tender and wise, The Only Story is a deeply moving novel from the Man Booker Prize-winning author of The Sense of an Ending.
Now a major film starring Academy Award nominees Jim Broadbent (Iris) and Charlotte Rampling (45 Years) Winner of the Man Booker Prize for Fiction in 2011 Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life.
Now Tony is retired. He's had a career and a single marriage, a calm divorce. He's certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer's letter is about to prove.
You put together two things that have not been put together before. And the world is changed...'' Julian Barnes''s new book is about ballooning, photography, love and grief; about putting two things, and two people, together, and about tearing them apart. One of the judges who awarded him the 2011 Man Booker Prize described him as ''an unparalleled magus of the heart''. This book confirms that opinion.>
Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.' Julian Barnes began writing about art with a chapter on Gericault's The Raft of the Medusa in his 1989 novel A History of the World in 101/2 Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, which trace the story of how art made its way from Romanticism to Realism and into Modernism.
Fully illustrated in colour throughout, Keeping an Eye Open contains Barnes' essays on Gericault, Delacroix, Courbet, Manet, Fantin-Latour, Cezanne, Degas, Redon, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Howard Hodgkin and Lucian Freud.