Toronto homicide detectives Pratt and Ellis are brought in to investigate a series of hit-and-runs. Someone seems to be trying to kill random people using stolen cars. The detectives try to find any connections between the victims that might indicate something else at work. What they discover is beyond their wildest imagining.
Something is terribly wrong at Symphony Hall. Luigi Spadafini, the symphony's star conductor, has been murdered-and the entire orchestra has confessed to the crime. This is the mess that Detective Lieutenant Pratt walks into one Saturday morning. Overworked and tired, he's also saddled with Detective Ellis, the newest member of the homicide squad and still very wet behind the ears. With both the mayor and several big shots from the symphony's board of directors demanding a speedy resolution of the crisis, Pratt is pushed to the limit. The trouble is, he also faces a seemingly endless list of suspects with good reasons to want the philandering Spadafini dead. With the clock ticking, Pratt is forced to use both his wits and the computer skills of Detective Ellis to solve the mystery.
Detective Mervin Pratt is enjoying a quiet dinner at his favorite Italian restaurant when he's called in to assist at a murder scene at a popular downtown nightclub. The manager has been stabbed to death in his office. The lead investigator, Detective Gordon, no friend of Pratt's, sees it as an open-and-shut case. He has the suspect, motive and even the murder weapon. But Pratt is unwilling to jump to conclusions. When Pratt's young partner, Dave Ellis, arrives on the scene uninvited and quietly tells Pratt that the suspect is his half brother, Pratt finds himself in an ethical dilemma. Ellis can have nothing to do with the investigation, and his connection to the case should be reported. On the other hand, Gordon's attempt to railroad the suspect and his outright antagonism to Pratt's involvement rub the detective the wrong way. The only solution, of course, is to solve the crime.